Larry Carlton Quartet
Combining his roots in Blues and Jazz with a crossover pop rock sensibility, Carlton’s unmistakable sound is marked by his signature warm tone, bright melodies and soulful guitar solos. Four time Grammy® winner, “Titan of Tone” award recipient and legendary guitar great, Larry Carlton is one of the most influential, prolific and original guitarists in the industry. Utterly unique, he has set a standard for artistry that spans three decades and two centuries.
Carlton’s own musical story began in Southern California. He picked up his first guitar when he was only 6 years old. He was introduced to Jazz in junior hight hen became interested in Barney Kessel, Wes Montgomery and the legendary Blues guitarist B.B. King. In 1968 he recorded his first LP, With A Little Help From My Friends. Carlton gained distinction for the unmistakable and often-imitated "sweet" sound he delivered with his Gibson ES-335. He broke new ground with his new trademark volume pedal technique, eloquently displayed on The Crusaders and Joni Mitchell albums.
He has released two albums with co-member of Fourplay, Lee Ritenour. He has his very own spot on Hollywood’s prestigious Rockwalk.
“ …the work of his hands speaks grace, passion and timeless knowledge. Listen, learn and be profoundly moved.” -Sting
Meet and Greet option available.
BLUE NOTE NAPA is located on the first floor of the Historic Napa Valley Opera House at 1030 Main St. We are an intimate 144-seat jazz club and restaurant, where you can enjoy performances of world renowned and local Bay Area artists alike. We offer a full menu with market-driven cuisine, as well as an elegant wine and cocktail list. Enjoy fantastic main courses, sharing plates, and desserts while you take in a show.
All ticket prices are based on per person. Dinner is served in all sections. Your ticket is your dining reservation. Separate reservations are not needed.
“Sapphire” Booth Seating:
Booth seating for parties of 4, 5- 6 persons: Our premier level of seating! Booths are only sold as four, five or six and are not available as singles or pairs. 1st come, 1st seated. You will be seated when you arrive. (dark blue color on map)
“Royal Blue” Center Table Seating:
Seating in premier center table areas in front of stage: Pairs are seated across from each other. 1st come, 1st seated (light blue on map)
Standard Side Table Seating:
Seating in side table areas left and right of center section: Pairs are seated across from each other. 1st come, 1st seated. (yellow on map)
Bar Area Ticket Seating (only patrons 21+ may sit at bar):
Great View!! Bar Chairs are tall with backs and comfy padded seats. Purse hooks too. (pink on map).
A portion of all ticket fees goes to the historic preservation of the Napa Valley Opera House. Tickets are the same price whether purchased in person, over the phone or online.
Dinner Menu available in all seating areas
Larry Carlton’s own musical story began in Southern California. He picked up his first guitar when he was only six years old. He was introduced to Jazz in junior high school after hearing The Gerald Wilson Big Band album, Moment of Truth, with guitarist Joe Pass. Larry then became interested in Barney Kessel, Wes Montgomery and the legendary Blues guitarist B.B. King. Saxophonist John Coltrane was also a major influence on Carlton, beginning with Coltrane’s 1962 classic Ballads.
In 1968 he recorded his first LP, With A Little Help From My Friends (Uni). The enthusiastic industry response garnered him a place among jingle singers The Going Thing, recording on camera and radio commercials for Ford. Mid-season in his second year, he segued to Musical Director for Mrs. Alphabet, an Emmy-nominated children’s show on the same network. It was here that Carlton showcased his acting skills, performing as the show’s co-star, "Larry Guitar."
Calls began to increase significantly as Carlton gained distinction for the unmistakable and often-imitated "sweet" sound he delivered with his Gibson ES-335. He also broke new ground with his new trademark volume pedal technique, eloquently displayed in his featured performance on Crusader One with legendary jazz/rock group The Crusaders in 1971. Joni Mitchell’s Court and Spark album, the first record she made with a rhythm section, displays his distinctive Technique – a style Mitchell referred to as "fly fishing."
During his tenure with The Crusaders (through 1976), Carlton performed on 13 of their albums, often contributing material. In 1973, Carlton released his second solo project, SingingPlaying, on Blue Thumb Records aptly titled, as he not only played guitar, but also performed vocals on eight tracks. Carlton’s demand as a session player was now at its zenith, he was constantly featured with stars from every imaginable genre, ranging from Sammy Davis, Jr., and Herb Alpert to Quincy Jones, Paul Anka, Michael Jackson, John Lennon, Jerry Garcia and Dolly Parton. At the same time, he was still performing more than 50 dates a year with The Crusaders.
In 1985 he was approached by the newly formed MCA Master Series to consider doing an acoustic Jazz album. His first release for the new label was Alone, But Never Alone, a consensus No. 1 album on the Radio & Records and Billboard Jazz charts. The twelve months of 1987 brought some of the biggest highlights in Carlton’s solo career. In addition to winning the Grammy® for "Minute by Minute," Carlton received a Grammy® nomination for "Best Jazz Fusion Performance" for his live album Last Nite. Coming off of the success of two acoustic albums and one live album, Carlton was on a hot streak and entered the studio to work on his next project, On Solid Ground. The all-electric project was nominated for a Grammy® in 1989. The release of On Solid Ground came almost one year after Carlton was brutally shot in a random act of violence outside his Los Angeles studio.
In 1990, MCA acquired GRP Records and placed their Jazz artists under the GRP moniker. Immediately, GRP issued a greatest hits package of Carlton’s work on MCA, called Collection. In 1991, Carlton entered the studio to record a blues-based album with John Ferraro, keyboard man Matt Rollings, bassist Michael Rhodes and harmonica player Terry McMillan. Interrupted by label and consumer demands for another Jazz offering, Carlton temporarily shelved what would become Renegade Gentlemen and recorded and released Kid Gloves in ’92. A pop-oriented Jazz collection of lilting acoustic ballads and biting electric workouts, the album marked the first time Carlton had included both acoustic and electric tracks on a single solo project.
Larry & Lee, Carlton’s 1995 collaboration with guitar great Lee Ritenour, garnered him his eighth Grammy® nomination. This was followed by The Gift in ’96 and Larry Carlton Collection Volume 2 in ’97. That same year, his virtuosity and reputation secured him a place in the crumtopping award-winning Warner Bros. Records’ group Fourplay, when member Lee Ritenour left to head his own label. Carlton doubled the fun by signing to Wamer Jazz as a solo artist at the same time. Since then he has released two albums with Fourplay: 4 in ’98 and a refreshingly different Christmas album, Snowbound, in October ’99. 1999 also brought Larry Carlton his very own spot on Hollywood’s prestigious Rockwalk. On June 3, he was inducted along with Joe Satriani, Steve Vai and Jimmie Vaughn.
The year 2000 starts with Carlton putting his singularly superb fingerprints on the new millennium with his star-studded solo release on Warner Bros. Records, Fingerprints. Utterly unique, Larry Carlton has set a standard for artistry that spans three decades (and two centuries) and he is undoubtedly destined to leave his mark on jazz, blues, pop and rock for the foreseeable future…