Larry Carlton: Larry Carlton 1978 Album/Steely Dan
Pick which showtime below for which one you want to see, or see him twice!
6:30 Show: Larry Carlton 1978 Album/Steely Dan
9:00 Show: The Crusaders Remembered
6:30 Show: The Crusaders Remembered
9:00 Show: Larry Carlton 1978 Album/Steely Dan
MEET AND GREET AVAILABLE FOR ADD ON
MUST HAVE A TICKET TO SHOW, Sold Separately.
M&G includes a Q&A, Guitar tips with Larry and a photo opportunity.
6:30 Show: M&G is Pre- Show @ 4:00 pm
9:00 Show: M&G will be After the show.
BLUE NOTE NAPA is located on the 1st floor of the Historic Napa Valley Opera House at 1030 Main St. We are an intimate 144-seat Live Music club and Restaurant, where you can enjoy performances of world renowned and local Bay Area artists alike. We offer a full menu with an elegant wine and cocktail list. Enjoy fantastic main courses, sharing plates, and desserts while you take in a show.
- All ticket prices are per person.
- Dinner is served in all sections.
- Your ticket is also your dining reservation.
- Every Ticket does get a seat in area purchased.
- Our Seating Policy is First Come, First Seated in area purchased.
- We recommend arriving 30 min before door time to get best choice of seating.
- We do not have a standing room only section
- Pairs are sat across from each other, not next to each other.
- No Refunds, Professional cameras or outside food and drink.
- Ear Plugs are available for free at the Box Office
- Any special needs or accommodation requests, please call our Box Office.
- A portion of all ticket fees goes to the historic preservation of the Napa Valley Opera House.
- Tickets are the same price whether purchased in person, over the phone or online
“Sapphire” Booth Seating: Booth seating for parties of 4, 5- 6 persons
Premier level of seating! Sold only in units of 4 or 5/6, and are not available as singles or pairs. You will be seated when you arrive. (Dark Blue on map)
“Royal Blue” Center Table Seating: Center table area in front of stage: Pairs are seated across from each other. (Light Blue on map)
Standard Side Table Seating: Side table areas left and right of center section: Pairs are seated across from each other. (Yellow on map)
Bar Area Seating (only 21+ may sit at bar):
Great View! Bar Chairs are tall with backs and comfy padded seats. Purse hooks too. (Pink on map).
1030 Main Street, Napa CA 94559
Box Office: 707.880.2300 (Tues-Sat, 2:30-9:00 pm, Sun, 1 hr. before doors)
Larry Carlton’s own musical story began in Southern California. He picked up his first guitar when he was only six years old. He was introduced to Jazz in junior high school after hearing The Gerald Wilson Big Band album, Moment of Truth, with guitarist Joe Pass. Larry then became interested in Barney Kessel, Wes Montgomery and the legendary Blues guitarist B.B. King. Saxophonist John Coltrane was also a major influence on Carlton, beginning with Coltrane’s 1962 classic Ballads.
In 1968 he recorded his first LP, With A Little Help From My Friends (Uni). The enthusiastic industry response garnered him a place among jingle singers The Going Thing, recording on camera and radio commercials for Ford. Mid-season in his second year, he segued to Musical Director for Mrs. Alphabet, an Emmy-nominated children’s show on the same network. It was here that Carlton showcased his acting skills, performing as the show’s co-star, "Larry Guitar."
Calls began to increase significantly as Carlton gained distinction for the unmistakable and often-imitated "sweet" sound he delivered with his Gibson ES-335. He also broke new ground with his new trademark volume pedal technique, eloquently displayed in his featured performance on Crusader One with legendary jazz/rock group The Crusaders in 1971. Joni Mitchell’s Court and Spark album, the first record she made with a rhythm section, displays his distinctive Technique – a style Mitchell referred to as "fly fishing."
During his tenure with The Crusaders (through 1976), Carlton performed on 13 of their albums, often contributing material. In 1973, Carlton released his second solo project, SingingPlaying, on Blue Thumb Records aptly titled, as he not only played guitar, but also performed vocals on eight tracks. Carlton’s demand as a session player was now at its zenith, he was constantly featured with stars from every imaginable genre, ranging from Sammy Davis, Jr., and Herb Alpert to Quincy Jones, Paul Anka, Michael Jackson, John Lennon, Jerry Garcia and Dolly Parton. At the same time, he was still performing more than 50 dates a year with The Crusaders.
In 1985 he was approached by the newly formed MCA Master Series to consider doing an acoustic Jazz album. His first release for the new label was Alone, But Never Alone, a consensus No. 1 album on the Radio & Records and Billboard Jazz charts. The twelve months of 1987 brought some of the biggest highlights in Carlton’s solo career. In addition to winning the Grammy® for "Minute by Minute," Carlton received a Grammy® nomination for "Best Jazz Fusion Performance" for his live album Last Nite. Coming off of the success of two acoustic albums and one live album, Carlton was on a hot streak and entered the studio to work on his next project, On Solid Ground. The all-electric project was nominated for a Grammy® in 1989. The release of On Solid Ground came almost one year after Carlton was brutally shot in a random act of violence outside his Los Angeles studio.
In 1990, MCA acquired GRP Records and placed their Jazz artists under the GRP moniker. Immediately, GRP issued a greatest hits package of Carlton’s work on MCA, called Collection. In 1991, Carlton entered the studio to record a blues-based album with John Ferraro, keyboard man Matt Rollings, bassist Michael Rhodes and harmonica player Terry McMillan. Interrupted by label and consumer demands for another Jazz offering, Carlton temporarily shelved what would become Renegade Gentlemen and recorded and released Kid Gloves in ’92. A pop-oriented Jazz collection of lilting acoustic ballads and biting electric workouts, the album marked the first time Carlton had included both acoustic and electric tracks on a single solo project.
Larry & Lee, Carlton’s 1995 collaboration with guitar great Lee Ritenour, garnered him his eighth Grammy® nomination. This was followed by The Gift in ’96 and Larry Carlton Collection Volume 2 in ’97. That same year, his virtuosity and reputation secured him a place in the crumtopping award-winning Warner Bros. Records’ group Fourplay, when member Lee Ritenour left to head his own label. Carlton doubled the fun by signing to Wamer Jazz as a solo artist at the same time. Since then he has released two albums with Fourplay: 4 in ’98 and a refreshingly different Christmas album, Snowbound, in October ’99. 1999 also brought Larry Carlton his very own spot on Hollywood’s prestigious Rockwalk. On June 3, he was inducted along with Joe Satriani, Steve Vai and Jimmie Vaughn.
The year 2000 starts with Carlton putting his singularly superb fingerprints on the new millennium with his star-studded solo release on Warner Bros. Records, Fingerprints. Utterly unique, Larry Carlton has set a standard for artistry that spans three decades (and two centuries) and he is undoubtedly destined to leave his mark on jazz, blues, pop and rock for the foreseeable future…