Jessy J Special Christmas Performance
“I believe we are a product of our environment,” confides the stunning multi-talented instrumentalist, singer and composer, Jessy J, who took the contemporary jazz world by storm in 2008 with a #1 Billboard hit for eight consecutive weeks. “My exposure to world music plays a central role in how I create music and utilize it as an international language without boundaries,” adds the dynamic young artist who claims classical music as her first love but confesses to listening to everyone from Billie Holiday, Sarah Vaughan and Sergio Mendes to Snarky Puppy, Bruno Mars and Ed Sheeran. In a genre dominated by men nearly twice her age, Jessy J has carved out a niche for herself by remaining true to her own unique vision and sound. Her musical influences include Cannonball Adderley, John Coltrane, Charlie Parker, Grover Washington, Jr., Sergio Mendes, Ricky Martin and Gloria Estefan. http://www.jessyj.com/
Smooth Jazz 8+
BLUE NOTE NAPA is located on the 1st floor of the Historic Napa Valley Opera House at 1030 Main St. We are an intimate 144-seat Live Music club and Restaurant, where you can enjoy performances of world renowned and local Bay Area artists alike. We offer a full menu with an elegant wine and cocktail list. Enjoy fantastic main courses, sharing plates, and desserts while you take in a show.
- All ticket prices are per person.
- Dinner is served in all sections.
- Your ticket is also your dining reservation.
- Every Ticket does get a seat in area purchased.
- Our Seating Policy is First Come, First Seated in area purchased.
- We recommend arriving 30 min before door time to get best choice of seating.
- We do not have a standing room only section
- Pairs are sat across from each other, not next to each other.
- No Refunds, Professional cameras or outside food and drink.
- Ear Plugs are available for free at the Box Office
- Any special needs or accommodation requests, please call our Box Office.
- A portion of all ticket fees goes to the historic preservation of the Napa Valley Opera House.
- Tickets are the same price whether purchased in person, over the phone or online
“Sapphire” Booth Seating:
Booth seating for parties of 4, 5- 6 persons: Our premier level of seating! Booths are only sold as four, five or six and are not available as singles or pairs. 1st come, 1st seated. You will be seated when you arrive. (Seating is dark blue color on map)
“Royal Blue” Center Table Seating:
Seating in premier center table areas in front of stage: Pairs are seated across from each other. 1st come, 1st seated (Seating is light blue on map)
Standard Side Table Seating:
Seating in side table areas left and right of center section: Pairs are seated across from each other. 1st come, 1st seated. (Seating is yellow on map)
Bar Area Ticket Seating (only patrons 21+ may sit at bar):
Great View!! Bar Chairs are tall with backs and comfy padded seats. Purse hooks too. (Bar area is pink on map).
A portion of all ticket fees goes to the historic preservation of the Napa Valley Opera House.
Tickets are the same price whether purchased in person, over the phone or online.
Dinner Menu available in all seating areas
Jessy J celebrates a remarkable decade since she brought her sizzling beats, dynamic Latin and samba rhythms and sensual melodies to contemporary jazz via her #1 hit debut album Tequila Moon. Following in the tradition of other jazz greats – including Dee Dee Bridgewater, Pat Martino, Joe Pass and Arturo Sandoval – who have released albums recorded at the historic Oakland venue, the charismatic saxophonist captures the excitement and spontaneity of her live performances with a set list featuring her classic hits and several songs fresh to her eclectic repertoire.
“I felt like a live album would be the perfect way to mark the 10th anniversary of Tequila Moon, because I love performing live and it presents a completely different experience than my studio albums, with exciting interactions with the audience and the spirited ensemble action with my band,” says Jessy, whose previous releases include True Love (2009), Hot Sauce (2011), Second Chances (2013), My One and Only One (2015) and California Christmas (2016), which marked her debut on her own independent label Changi Records.
“My sax solos onstage are much longer, and each song takes on a personality of its own that it may not have had on the original recording. Having recorded six albums and performed all over the world, I feel like I have reached a whole different level of maturity as a player and performer since the beginning – and it’s great to have the opportunity to share that vibe on this live album. Yoshi’s has an incredible history of performances by jazz legends, and it’s special for me because I’ve always had incredibly passionate audiences there who really appreciate what I do. Usually when artists perform a show, it’s right in the moment and then it’s gone, so it’s exciting to be able to showcase exactly who I am as an artist right now with this special recording.”
A major part of capturing the essence of Jessy is experiencing the way she ensembles with her powerhouse band, which includes longtime members, drummer Iajhi Hampton and bassist Frank Abraham. Rounding out her group at the Yoshi’s concert was veteran keyboardist/pianist Jay Rowe, who has played many of Jessy’s East Coast shows for years and who performed with her at Pizza Express in London in 2015. Rowe also contributed several arrangements and his otherworldly keyboard talents to California Christmas. Jessy and her band bring new life to her #1 Billboard hits “Tequila Moon” and “Tropical Rain,” her Top 5 hit “Hot Sauce,” her Top 10 hit “Tango Boy” and audience favorites like “Mas Que Nada” and “Sin Ti/Without You.” The saxophonist also debuts her twist on the timeless Antonio Carlos Jobim Brazilian classic “Agua De Beber” and two original songs with an old school 60’s styled jazz flair.
Another unique aspect of Jessy J Live at Yoshi’s is that everything onstage was mixed by two different crews, a sonic duality that is used on the hit ABC-TV show “Dancing With The Stars,” whose live band Jessy has played on telecasts with on and off since 2014. “On the show,” she says, “they create one mix for everyone in the house and then there is a remote crew outside that mixes the sound for the television audience. Our setup at Yoshi’s is on a much smaller scale, of course, but the dynamic is the same, with one crew inside mixing for the house and the other outside the venue, mixing sound for the CD.”
Looking back over her ten year recording career, Jessy reflects that she has made a lot of stylistic choices from project to project. “I have always written songs reflecting my cultural and life experiences,” she says. “Tequila Moon was a very organic album recorded live with every musician together in the studio, which was rare at the time because more people were tracking things separately. My producer, Paul Brown, and I kept that spirit going on True Love, which had even more of a Latin element. Then with Hot Sauce, I worked with the great Joe Sample, who gave me a whole different perspective on the recording process because he came from a time when groups like his band The Crusaders would record six songs an hour for hours at a time.
“I shifted gears a bit on Second Chances, which was my first CD that didn’t have a lot of percussion,” Jessy adds. “I ventured away from the Latin sound for a more R&B/jazz approach, with a little New Orleans mixed in, working with Jeff Lorber, Jimmy Haslip, Norman Brown and Johnny Britt. Then I ventured back into more exotic textures, exploring my Latin roots and African rhythms, on My One and Only One. Because California Christmas was on my label, I could go all out, handpick my favorite musicians from over the years, and play everything from classical and jazz to Latin, funk and blues. My goal was to bring a new perspective to songs we have known in other ways for years.”
Jessy’s connection to her Latin heritage runs deep, as her father is originally from Mexico and her mom hails from Texas. Born in Oregon and raised in southern California, Jessy grew up in a home full of big family get-togethers, Mexican feasts and lots of Latin, jazz and pop music. Her musical influences include Cannonball Adderley, John Coltrane, Charlie Parker, Grover Washington, Jr., Sergio Mendes, Ricky Martin and Gloria Estefan. She is grateful that her Hispanic fans have been inspired by her love of these musical roots, which has sometimes helped foster connections with their own family heritage. Jessy’s European fans may not connect with that side of her in a personal way, but they have long embraced the exuberant exotica she brings to her style of contemporary jazz.
After graduating from USC with a degree in jazz studies, Jessy’s equal passion for pop led her quickly into recording sessions with artists like Michael Buble, followed over the years by tours with Jessica Simpson, The Temptations and Michael Bolton. In 2004, Jessy joined the cast of the off-Broadway show “Blast!” and drew on her multitude of skills as an actress, singer, dancer and sax player as she performed throughout the U.S., in London and Tokyo. Even while working with pop and Latin artists, she put together her own band, performing at such L.A. hotspots as The Jazz Bakery and, through her work with the Henry Mancini Institute and Orchestra, performing at numerous official functions and private parties.
In addition to her airplay and chart success, tours with smooth jazz greats like Lorber, Gerald Albright, Jeff Lorber, Euge Groove and Peter White, and her own international tours everywhere from Cuba, Nigeria and Malaysia to the Philippines and Japan, Jessy has performed on the hit television competition shows “American Idol” and “The Voice.” The year Steven Tyler was a judge on “Idol,” he was so impressed with her performances that he invited her to play on Aerosmith’s 2012 album Music From Another Dimension.
“It’s been an incredible journey so far, and I’m excited to mark the 10th Anniversary of being a recording artist with this Live at Yoshi’s album,” Jessy says. “At the same time, I’m looking ahead to my second decade and exploring more world and classical music in addition to deeper excursions into the styles I have played for many years. I always want to bring something new and different that everyone can enjoy, with music that reflects my commitment to evolving as an artist.”